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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

The Artist's Mother, 2012 by Sally Robinson

Observation point

Magazine article by Sally Robinson, 2017

Every face is different and every face is fascinating, but I find an elderly one particularly intriguing.

Glenn McGrath

Pigeon coup

Magazine article by Christine Clark, 2006

Glenn McGrath makes a strong impact on the English batsmen and the walls of the National Portrait Gallery.

Tim Winton

Tracks in the sand

Magazine article by Dr Sarah Engledow, 2008

Dr Sarah Engledow discusses Quentin Jones's photograph of Australian author Tim Winton.

The Conciliation, 1840 by Benjamin Duterrau

The art of conciliation

Magazine article by Gareth Knapman, 2017

Gareth Knapman explores the politics and opportunism behind the portraits of Tasmania’s Black War.

Bee Miles

Good, bad and the ugly

Magazine article by Michael Desmond, 2007

Michael Desmond explores what makes a portrait subject significant.

Portrait 28

June - August 2008
Magazine

This issue of Portrait Magazine features Harold Cazneaux, nineteenth-century carte de visites, Tim Winton, Antonio Dattilo-Rubbo, Evelyn Chapman and more.

Portrait of Truganini, daughter of the Chief of Bruny Island, Van Diemens Land, c. 1835

Black and white history

Magazine article by Michael Desmond, 2009

English artist Benjamin Duterrau took up the cause of the Indigenous peoples of Tasmania with his detailed and sympathetic renderings.

Portrait bust of Dr Christine Rivett

A gift for all ages

Magazine article by Rod Kemp, 2003

The then Minister for the Arts and Sport, Rod Kemp, reflects on the value of the Cultural Gifts Program.

John Coburn

101 photographic portraits

Magazine article by Michelle Fracaro, 2004

Pat Corrigan's generous gift of 100 photographic portraits by Greg Weight.

Francis Russell Nixon

Sketches and sermons

Magazine article by Jessica Smith, 2009

Jessica Smith looks at the 'fetching' portrait of Tasmania's first Anglican Bishop, Francis Russell Nixon by George Richmond

Quentin Bryce

In bloom

Magazine article by Susi Muddiman, 2017

Susi Muddiman delights in Michael Zavros’ stunning portrait of the honourable Dame Quentin Bryce AD CVO.

Caroline Pileggi

Ready , set... shoot

Magazine article by Christine Clark, 2006

The exhibition Flash: Australian Athletes in Focus offers various interpretations of sporting men and women by five Australian photographers.

Louise Lovely feeding gulls in a park, 1969 Unknown photographer

Jewelled nights

Magazine article by Dr Anne Sanders, 2017

Anne Sanders celebrates the cinematic union of two pioneering australian women.

The Wedding, 2022 Atong Atem

See through me

Magazine article by Penelope Grist and Rebecca Ray, 2022

Penelope Grist and Rebecca Ray talk to the artists in Portrait23: Identity about transcending modes of portraiture.

Mary Ann Lawrence, 1841

Fits of delicacy and despair

Magazine article by Joanna Gilmour, 2009

Henry Mundy's portraits flesh out notions of propriety and good taste in a convict colony.

Lindy Lee

The long game

Magazine article by Penelope Grist, 2020

Penelope Grist spends some quality time with the Portrait Gallery’s summer collection exhibition, Eye to Eye.

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Canberra, ACT 2600, Australia

Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency